They induce to look, they require exploring, intensifying the very act of seeing and changing sight trajectory, so: "look at" becomes "look into". Embodying her ontology of the inexpressible, Stalnaya refers to the human body manifestations and captures the body in variety of its states and poses: in static and dynamic, standing, sitting and lying down, while playing, running and sleeping. The artist, without secret, admires the female body perfection which undoubtedly correlate with everything that transcends body limits.

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The "catalog" of spontaneous gestures reveals the fluidity and permeability of reality: bodies dissolve in the surrounding objects, volumetric forms gradually transform into lines on the plane surface and imperceptibly disappear. Adjacency to material objects (paper airplanes and balls of different sizes) does not reveal their strictly material nature, but, on the contrary, reminds surrealistic paintings, which leave a full scope for imagination. Thus, the equivalence of the human and non-human is affirmed.